An Inspiring Year

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At this time of year, we’d usually be compiling a post about what we’ve been up to over the last 12 months and sharing shoots we’ve had. We just wanted to do something a bit different this year and share work from artists that have really inspired us over the last year. There is work here about being in the inbetween years, documenting communities, family dynamics, generosity within the photography community, illustrations, light chasing, cinematic work, and starting over.

Siân Davey

Looking For Alice

Looking For Alice

When we scroll through Siân’s Instagram feed (that’s where we found her stunning work), we are always struck by the narrative in each post. How she weaves story of her own family life through the squares, and that light, so delicate and painterly in quality. Her work gives us goosebumps. I was a bit nervous when I wrote to Siân the other day, and then a lovely reply pinged into our inbox. One of our intentions this year is to let the people who inspire us know. Siân currently has 2 books published ‘Looking For Alice’ and ‘Martha’ about her daughters. Here’s a link to her Instagram feed is and here’s a link to Siân’s website. We’re sure you’ll feel the same way about her work as we do.

Martha

Martha

Lucy Saggers

Betty’s Baking Day - Lucy Saggers

Betty’s Baking Day - Lucy Saggers

We spied Lucy’s work back in 2017 and were struck by these timeless black and white images depicting village life in Yorkshire. Although Lucy has done a lot of of other work, it was this body of shots, Of Life and Land, that really spoke to us. The use of light and the tender relationships towards the people she’s photographing is incredibly moving. Back in March, we went to see her exhibition of the collection of shots, and we had the pleasure of meeting Lucy there too.

It was hard to pick a favourite, but I think it was a mini series of photographs about Lynne Lynch and Betty Fox. Lynne has been going round to Betty’s to wash, cut and blow dry her hair every 2 weeks since 1976. In this collection of shots about a small community, Lucy has stripped everything back to what matters, highlighting these relationships within a Yorkshire village. Here’s a link to her Instagram feed, and here’s a link to Lucy’s website.

Lynne Lynch washing Betty Fox’s Hair

Lynne Lynch washing Betty Fox’s Hair

Carolyn Mendelsohn

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When we realised that Carolyn’s exhibition Being Inbetween was being shown just down the road from where we live, there really was no excuse, and we would have travelled a lot further to see it. We were greeted by a collection of large format mounted prints, photos of girls in those inbetween years, 10-12. The exhibition explores their hopes, dreams, concerns. All are lit the same and taken with the same backdrop and the exhibition is accompanied by soundscape. We’ve been dabbling with sound in our films and it struck us how powerful the interviews were with the girls as we looked at their photos. The series is ongoing, and there is a book in development. You can see more about Being Inbetween at this link and more of Carolyn’s other work at her website here.

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Gemma Koomen

Ice Skating

Ice Skating

We became aware of Gemma’s work when we saw a little book all about Wild Swimming written by Flora Jamieson and illustrated by Gemma. It sits proudly on our bookshelf. Gemma’s illustrations awaken a childhood nostalgia, I think that’s why we’re so drawn to them. Little scenes play out, and our memories dance. We can hear the crunch of the snow and smell the washing on the line. They are full of hope and light, friendships and adventure. You can see her beautiful Instagram feed here and more of her work on her website here.

Laundry Day

Laundry Day

Natalie Kingston

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We’ve followed Natalie’s work from afar for a while, and we’re constantly blown away by her cinematography. She’s worked on numerous short films, commercials and music videos. We love those tones and the light she captures. See for yourself in her reel here . You can follow Natalie on Instagram here or watch more of her films on her website here.

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Diana Hagues

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Not only is Diana an exceptional documentary family photographer, but to us, she embodies the heart of community within the photography world. She organises meet ups and chat groups, always takes time to answer people’s questions, offers encouragement, and is just a thoroughly lovely person. She takes amazing self portraits too. Her work has just been showcased in the latest issue of Click Magazine 2018 Voice Collection (congratulations Diana!) You can follow Diana on Instagram here and see more of her work at her website.

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Joanne Coates

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A couple of years ago, we bought the Yorkshire Post as we were really drawn to a collection of photos in the weekend magazine. The photo series depicted the life on the seas with a group of fishermen. Jo was the photographer behind the images. As it says on her website, she has a documentary approach to everyday stories, she tells the story of working life. Jo’s Grandad used to fish the North Sea, and through this work, she found a shared connection with him. You can follow Jo at her Instagram feed here and see new project work at her website here.

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Annie Spratt

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Annie’s beautiful work captures the shifts in seasons in the New Forest where she lives, and further afield. Whatever landscape she’s taking, it feels like you’re right there with her. And that light!! She’s particularly generous with her work and she gifts photos every day to be used by the Unsplash community. You can follow her on Instagram here or take a look at her Unsplash page here.

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Joni Burtt

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We can always tell when it’s a Joni shot when it comes up on our feeds, with her images like film stills. Her candid take on her family life is beautiful, and with the words that accompany each photo, she lets us into her everyday life. We love a bit of freelensing in our photography, so we’re really drawn to those dreamy ethereal shots where Joni is using this technique. You can follow Joni on Instagram here, and see more of her work at her website here.

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Alex Sedgmond

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Alex wrote to me a few months back after he’d read my piece in Ernest Journal. We’ve had a few chats since then about our photography, health and light. I always love when a message pops up from him! He has so much integrity. His posts on Instagram really show his true passion, his wanderlust. He’s a kind soul. You can follow him on Instagram here and get stuck into his blog posts and other work here.

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Felicity Keefe

Beyond The Shadow

Beyond The Shadow

For the last few years, I’ve been a bit obsessed by how the Old Masters used light in their paintings and trying to adapt this into my photography. When I was looking for inspiration in paintings last year, I came across Felicity’s work. Her beautiful landscapes allow you to breathe it in, smell the morning dew, feel the cold air, hear the rain or a leaf falling from a stark branch. I love the movement, and of course the light. You can follow Felicity on Instagram here and see her collections and find out about exhibitions on her website here.

The Shifting Dusk

The Shifting Dusk


Here’s to an inspiring 2019. Maybe we’ve introduced you to someone you haven’t heard of yet, let us know! And we’re always keen to know about your favourites. Who’s inspiring you?

Great Uncle Harry

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I’ve been really drawn to documenting rural life ever since I picked my first camera up. When I loaded my first roll of 35 mm film into my old Minolta on Boxing Day 1981, I looked out of my bedroom window and watched the sheep in the field behind our house. It was a Christmas card scene with powdery snow on the ground, and the outlines of the big oak tree were framed with a thin layer of white dust. I took my camera out as the afternoon light was fading, and took my first picture on my first camera. I know this photo is at Mum and Dad’s house somewhere, and writing this is making me want to find it!

And now in our commercial work, we’re enjoying working with companies who are based, and work in and with the countryside. This comes from a love of rural life that is an intrinsic part of both me and Suzi. We both have families who have or who are still farming. I’ve been wanting to take photos of my Great Uncle Harry on his farm for a while. I remember going to visit him and my Great Aunty Nora during school holidays. It always seemed such a treat to travel around the farm in their Land Rover, hanging on for dear life in the back as we were jostled over fields and bumpy farm tracks!

I took a trip over to his farm a couple of weeks to see Harry and my cousin Nicholas. We sat at the kitchen table with endless cups of tea, enjoyed a roast dinner cooked in the Aga, and looked at old photos whilst we chatted about farming life and family. I loved taking these photos, it was good to spend some time with Harry and Nicholas.

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This is a little half pint bottle my uncle used to have for the milk the dairy farm produced. This was before the days of pasteurisation.

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This was the perfect day to ease me back into shooting again after taking off time to be with Olive and Suzi. I learnt so much, including the difference between straw and hay which I feel really embarrassed about! I heard family anecdotes I’d never heard before, and realised how much I want to document my own family’s life. I’m heading back soon to make a film with Harry and record some of those stories. It was good to spend a day with him.

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Our Photo Shoot

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Last week, Angela (a.k.a. Angela Fenwick Photography), sent us a link to a slideshow of our photo shoot we had with her a couple of weeks ago. We've loved her warm, emotive newborn shoots for a while. Although me and Suze are documenting life with Olive in our own photographs, having this shoot really cemented how we feel about family photography. These images are here for us now to look at, frame, print, thumb through, But in the future, they'll be Olive's to enjoy, and although strange to think about at the moment, then they'll become an heirloom to any family she may have too. These photos are so much more than the paper they'll be printed on. The thought of being on the other side of the camera made us feel pretty vulnerable in the run up to the shoot. Would we look too tired? Would we be really self conscious? I even worried about letting go of control on the shoot and just letting Angela do her amazing work. But do you know, when we were in it, these things didn't enter our thoughts. For those 2 hours we just had time for each other. Time might be flying by, but we're so grateful for that afternoon, and for the moments held in these images.

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